Saturday, August 25, 2012

Whitney Houston Set Worshipful Tone in 'Sparkle' - US - CBN News - Christian News 24-7 - CBN.com

Whitney Houston fans are seeing their idol act and sing one more time in "Sparkle," her final film.

The movie rounded out the top five at the box office in its debut weekend, pulling in $12 million.

Churchgoers are a partly responsible for those figures. Many sponsored bus trips to the theaters to witness Houston singing an age old gospel hymn, "His Eye Is On The Sparrow."

That song also moved the film's cast and crew to tears.

"I saw hands lifted and tears streaming, I mean from everyone in the trailer, it was amazing," celebrity makeup artist Kym Lee said.

Lee was responsible for the picture-perfect looks of actors Carmen Ejogo, Tika Sumpter, and Whitney Houston. She recalled her days on the Detroit set in a recent interview with CBN News.

"Whitney sang from her heart every time and tears were streaming down from her eyes. And everyone in the room was just worshiping God. It was amazing," she said.

Lee said there was tearful worship for all 12 takes of the church scene, where Whitney sang, "His Eye Is On The Sparrow."

But for Houston, that worship continued off the set. It was how she began her day when she sat down for her three hour make-up session.

"She came in. She stakes a claim and she said, 'Hey, this is how I start my day,'" Lee said. "And she put on Fred Hammond. And we started off with worship, and it was incredible because she set the tone."

That tone allowed Lee to share scripture and devotional readings with Houston. Many of those devotions are part of Angela Thornton's book, Unlocked, Keys to Godly Living.

The flm is a re-make of a 1976 musical about the rise and fall of a trio of singing sisters. In it, Houston plays the role of the wise mother.

She began working to bring the movie to the big screen more than 20 years ago and was a producer on the project, along with Bishop T.D. Jakes.

Jakes spoke with CBN News about the project.

"I found Whitney Houston to be very professional on the set. She was an excellent actress," he said. "She was very very effective, obviously as a singer."

The team wrapped production of "Sparkle" in the Fall of 2011, just three months before Whitney Houston drowned accidentally in a California hotel with drugs in her system.

Houston's best friend, gospel singer Kim Burrell, remembers all she did to prepare for the role.

"It was a passion of hers to do it," Burrell said. "She was calling me from the set. She was so proud of Jordan Sparks."

"Whitney worked hard to get her voice together for that because she really wanted to do well," she continued. "But when you sing about God, you know He equips you to get the message out. She knew that."

Thursday, Aug. 23, 2012

Irene Cara recalls starring in the 1976 original 'Sparkle'

By SUSAN KING

Los Angeles Times

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LOS ANGELES - Irene Cara was only 13 when she was cast as the title role in the original "Sparkle," the musical-drama about three African-American sisters who form a singing group in the late 1950s. Sparkle, the youngest of the group, ends up becoming a star.
There's been renewed interest in the influential 1976 film, which featured a classic R&B score by Curtis Mayfield, since the high-profile remake - starring "American Idol" winner Jordin Sparks in the role Cara made famous and the late Whitney Houston, in her final film, as Sparkle's mother - opened Friday.
Now 50, Cara remembers being embarrassed having to do love scenes with a grown man, a pre-"Miami Vice" Philip Michael Thomas, "in front of my mother. Oh, God! I think that was the worst of it."
Besides Cara, the musical also featured Lonette McKee, Dorian Harewood and Mary Alice. She recalls that the cast was "very respectful of me being a minor. I had worked as a child for many years, and there were situations where adults around me were not so considerate of my age and would behave in raunchy ways."
"Sparkle" launched Cara's career, which kicked into high gear four years later when she earned rave reviews as Coco Hernandez, the ambitious, multi-talented New York High School of Performing Arts student in Alan Parker's boisterous musical "Fame." She earned a Golden Globe nomination and two Grammy nominations for her recordings of the Oscar-winning title tune and the Oscar-nominated "Out Here On My Own."
She garnered even more recording success with "Flashdance ... What a Feeling" from the 1983 blockbuster "Flashdance." Cara, who co-wrote the song with Keith Forsey and composer Giorgio Morodor, won an Oscar, a Golden Globe and two Grammys.
"If you look at that period, Irene Cara captured the zeitgeist of that early 1980s," said music film historian Jon Burlingame. "I think she was so much a part of the pop music and culture of the time."
Cara continued acting, composing and recording and performing in concerts, especially in Europe. But for the last decade, Cara has all but disappeared from view. She may have been out of sight, but she continued making music. Cara has a two-volume album out, "Irene Cara Presents Hot Caramel," and is planning a 20-city tour for next year, including a stop in Los Angeles.
"For the last 10 years I have been developing a band," she said by phone from her home in the Tampa Bay, Fla., area, one of several places where she says she lives.
"I really wanted to put all of my energies into my project," she said. "I wanted to present a super group of extraordinarily talented women musicians and singers and songwriters. I started searching for really prominent women artists who were the whole package in my mind."
"Hot Caramel" is a "record for adults, it is not for kids or teens," said Cara. "There are several tunes that we wrote together and tracks we wrote separately. The second CD is a lot of jazz and even some live performances in the studio with the girls just jamming."

The Bronx-born Cara started in show business as a 3-year-old when she was a finalist in the "Little Miss America" pageant. Cara, who is of Puerto Rican and Cuban heritage, sang on Spanish-language TV as well as appearing on "The Original Amateur Hour," "The Tonight Show" and "The Electric Company" with Bill Cosby and Morgan Freeman. After doing off-Broadway, she made her Broadway debut in 1968 with Shirley Jones and Jack Cassidy in the musical "Maggie Flynn."
Not only was "Fame" a watershed moment in her career, it also marked a personal independence. Cara acknowledged that most child actors like herself feel that they lost out on a childhood. So when she began making "Fame" she felt like rebelling against her parents.
"I left home," she said. "I got an apartment near where we were filming. I wanted to be my own woman and all of this. I started hanging out in nightclubs, and I was sowing my oats."

Cara said she wasn't asked to appear in the new "Sparkle" but was invited to the premiere, which she was unable to attend because of recent foot surgery.
She had met Houston a few times over the years. "I remember seeing her mother, Cissy, when I was little," Cara recalled. "I remember seeing her sing in New York. They were doing a tribute to Burt Bacharach. When Whitney came on to the scene, every time I saw her I saw a little bit of her mother in her."
Houston's death in February "is terribly tragic," she said. "I just hope ('Sparkle') being her last project that people will see is an asset to her legacy."

Jada Pinkett - Burn (Music Video)

Tuesday, June 19, 2012

MAXWELL

Maxwell - Till The Cops Come Knockin' (extended mix parts 1,2)

Gerald Maxwell Rivera (born May 23, 1973), Maxwell a Grammy Award Winning American R&B artist, was born in Brooklyn, New York. His father was Pentecostal and raised in Vieques, Puerto Rico. His mother grew up in a devout Baptist household in Haiti.
Maxwell recorded some of the most ambitious R&B of his time, becoming wildly popular and often earning critical raves in the process. What was more, his recurring theme of romantic monogamy set him apart from the vast majority of his bump'n'grind lover-man contemporaries.

Maxwell adopted his middle name as his stage moniker, keeping his real identity a closely guarded secret out of concern for his family's privacy. Born of Puerto Rican and black Caribbean stock, Maxwell suffered the loss of his father (in a plane crash) when he was just three years old. The experience made him a deeply religious child, and he first began singing in his Baptist church.

Still, he didn't really get serious about music until age 17, when he began writing his own songs using a cheap Casio keyboard given to him by a friend. Initially influenced by early-'80s urban R&B, he progressed rapidly, and by 1991 he was performing on the New York club scene, despite ridicule from classmates who couldn't imagine the shy, awkward teenager doing anything of the sort. After making a name for himself, he signed a recording contract with Columbia in 1994.

Sumthin' Sumthin' Mellowsmoothe

Maxwell - urban suite theme

Maxwell - Ascension (don't ever wonder)

Maxwell- For Lovers Only with lyrics

MAXWELL "Softly"

Maxwell - Luxury:Cococure (Prologue, Monologue, Epilogue)